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Broken Angel: Abigail Reynolds

Between

24th October 2022 - 20th February 2023

Between’ was a free-standing sculpture set against the window where the Angel of the Eternal Gospel once was. Its door-like form was tall and fragile, and itself broken into pieces. Tinted and textured glass, including mid-century Pilkington’s glass, it captured the changing light and responded to the work in glass made for the Cathedral’s inauguration in 1962.

The static sculpture altered with the light, and was animated further when you moved around the work as the colours blended and changed. As well as glass, contemporary window films were used in the work, including a “switchable” film which shifted from transparent to opaque white when an electric current was applied. This cut off then restored the view though the glass; the visual equivalent of a door opening and closing.

The opening space of ‘Between’ was filled with broken glass, like the dirty snow at the sides of winter roads, frozen in lumps. It gestured to the shattered angel, fallen to the floor in the New Cathedral when it was broken in 2020.

‘Between’ drew attention to the West Screen as a threshold, although it is a permeable one. The glass allowed for moments of reflection and recognition, enabling viewers to see themselves and others within and through it.

‘Between’ invited further interaction through its varying surfaces, colours and angles. Whilst it was a solid structure, the heart of the work was transience and indeterminacy.

Abigail’s approach to the Broken Angel commission took two paths.

Firstly, I thought about the angel that originally held the now-empty space. An angel, really, is a portal that flickers for a moment between our time-bound existence and whatever is beyond; the ineffable, the eternal. Angels move between these two states, connecting them.

For me that’s a very powerful idea – that we are not limited to the everyday business of living. There can be chinks, openings; glimpses of other states of being.

Secondly, I was struck by the thought that somebody among us broke the glass wall because they wanted to get into the sacred space of the Cathedral. Imagining somebody feeling excluded, I have created an illusory door. It is left ajar waiting to be entered imaginatively.

“One of the great gifts of the arts is that they make the familiar unfamiliar. ‘Between’ does just this, re-presenting elements of our Cathedral, so that we see them differently. We hope ‘Between’ will enable everyone who sees it to wonder, and to wander into new territory, however transitory or elusive.”
— Mary Gregory, Canon for Art and Reconciliation

Artist Bio

Abigail Reynolds lives in Cornwall and has a studio in St Ives.

As an artist, Abigail has often made work that employs glass, exploring the way windows exist in architectural space as ‘in-between’ moments, as bearers of light, as vehicles for imagery and new perspectives.

To find out more about Abigails other work and current exhibitions CLICK HERE.

Coventry Young Carers

The young carers group have been involved throughout this project. In a series of workshops, they considered the role of curators as carers for history and exhibitions, and the care needed within the Broken Angel installation.

They were involved in discussions with Abigail around what new themes or visuals they would like to see in the third installation. They offer us a series of interpretative questions to consider in their trail, along with a children's activity sheet.

Below are audio recordings of their questions and testimonies of their experience of being involved in the project.

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