When you come to see us, it's best to see the Ruins first (ideally entering from Cuckoo Lane) and only then to explore the New Cathedral. In both cases, you'll understand and enjoy them much more, if you know what to look for and what it means.
In the remains of Coventry's second cathedral, and its magnificent, modernist third, there is a lot to see and explore, great and small.
When you come to see us, it's best to see the Ruins first (ideally entering from Cuckoo Lane) and only then to explore the New Cathedral. In both cases, you'll understand and enjoy them much more, if you know what to look for and what it means.
For example, as mentioned in the timeline on the History page, the Ruins wasn't Coventry's first cathedral - that one was destroyed in Henry VIII's time, in the Dissolution of the Monasteries. In fact, magnificent as it was, the Ruins you see today only was a cathedral for the last 22 of its 490 years. Until 1918, St Michael's was simply an impressively large, traditional parish church.
A decade before its 500th birthday, the bombs fell. Standing in the Ruins now, you can imagine how it was during the bombing, as well as before.
Today you can see the ancient walls, the burnt cross, made from charred remains the morning after the bombing and several works of art, installed since. These include Jacob Epstein's sculpture of a defiant Christ in chains before Pontius Pilate. Fittingly, perhaps, it was widely loathed and mocked when created in 1934 (the Daily Mirror refused to show a photograph of it). Now, with its ancient South American influences, it looks impressive and way ahead of its time.
The Ruins as a whole is a testament to the destruction of both the Cathedral and, on the same night in 1940, much of Coventry. Already that year, Coventry had suffered 17 bombing raids, causing 176 deaths. Then, on the night of 14th November, so many bombs were dropped during a single raid that over 4,300 Coventry homes were destroyed and 568 people lost their lives. The centre of Coventry was all but obliterated.
Yet, from the very next day, the determination grew amongst the Cathedral and the people of Coventry to seek reconciliation, not revenge - and to express that determination in preserving their destroyed cathedral beside a new one, devoted to transforming attitudes.
The New Cathedral is almost shockingly modern - and designed to reveal its charms only slowly. On entering via the "West" window (it actually faces south), your attention will be drawn towards the huge tapestry, filling the wall at the opposite end of the nave. The tapestry is usually bathed in light, yet almost no windows are visible: just tall, grey walls. With your back to the entrance, only one window can be seen - but it is big, beautifully colourful, especially at the start of each day, when sunlight shines directly through it. At its foot, for baptisms which mark new life and beginnings, is the Bethlehem font, carved from a rock brought here from the birthplace of Christ.
The position of the Baptismal window and font at this end of the nave, is a clue. As you make your way along its length, the side windows, each symbolising the trials of life, reveal themselves. Eventually, you reach the altar and the Cross of Nails: death. Yet you can go further still, to the Lady Chapel and the great Sutherland Tapestry depicting Christ in Glory, after death. And from this 'Resurrection perspective', the New Cathedral looks very different, indeed.
Learn more about The New Cathedral
The New Cathedral also holds many works of art, all highly symbolic. Some of these are within the nave, but many are in one of the five separate chapels, accessed via the nave. You can see where they are and find out all about them via the floorplan below.
The Ruins are the remains of a medieval parish church. Hit directly by several incendiary bombs, the Cathedral burned with the city on the 14th November 1940.
Read moreSoaring over 100 metres high, this Gothic masterpiece survived the bombing and is now the third-tallest in England.
Read moreSir Basil Spence’s 1962 masterpiece embodies both the stark and the beautiful, to powerful effect.
Read moreDesigned by Graham Sutherland, this impressive tapestry was woven by hand on a 500 year old loom and was at one point the largest continuously woven tapestry in the world.
Read moreThe principle of a Chapel of Unity binding the Church of England and the Free Churches together for Christian service in Coventry was born out of the sufferings of war and the ecumenical enthusiasm of the church leaders.
Read moreThis quiet, small chapel serves as a reminder of suffering and a place of prayer and contemplation, away from the focal point of the Cathedral.
Read moreThe masterpiece created by John Piper is made of 198 brightly coloured glass panels and measures 26 metres high.
Read moreThe impressive large glass ‘west’ screen was designed and hand engraved by John Hutton over the course of 10 years, and features 66 figures depicting saints and angels.
Read moreAlso known as the Chapel of Industry, because the surrounding buildings used all to be industrial
Read moreAs well as housing the stunning Baptistery window, the Nave features five pairs of 25 metre high windows which reflect man's journey through life.
Read moreRecently opened the New Pavilion is primarily used for educational purposes.
Read moreNot normally open to visitors, the Chapter House is used for film screenings.
Read moreSt. Michael's House is an early 18th. century townhouse which was rebuilt and restored after extensive bomb damage.
Read moreHome to a replica of the poignant Stalingrad Madonna, this chapel was created in 1990 to commemorate the 50th anniversary of the Coventry Blitz.
Read moreA treasure trove of Cathedral history, with fascinating artefacts from both the old and new Cathedrals.
Read moreProviding a place to pause and be still, right in the heart of the city, for the public and visitors alike.
Read moreThe Queen's steps follow the route that the Queen took in 1956 when she laid the foundation stone of the New Cathedral.
Read moreNestled at the foot of Christ in Glory, the Lady Chapel provides a more intimate space for prayer and reflection.
Read moreThe Provost Vestry is used by clergy to robe, and for private meetings, and is not normally open to the public.
Read moreWe have a whole page dedicated to our amazing organ including its history and how and when to hear it played.
Read moreTravel back to wartime Coventry and learn all about life in the 1940s in our Blitz Museum.
Read more